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Off Axis Near Field Response – Home Acoustics Alliance Portal
Home / HAA Calibration Wizard / Off Axis Near Field Response

Off Axis Near Field Response

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  • Click the arrow on the checklist item to open the FFT response test.
  • This is an optional item used when the MLP measurement of a speaker shows anomalies from it's near field response.
  • Follow the procedures for a near field measurement. This time we'll take 6 measurements of the same speaker.
  • The initial measurement is with the microphone on axis with the drivers.
  • Subsequent measurements require the speaker to be turned off axis in 15 degrees increments. This should spin the speaker a total of 90 degrees.
  • For in-wall or mounted speakers, you may need to move the microphone to take measurements at various angles.
  • Each measurement should be saved by using the "+" control.
  • The final outcome should shown all measurements overlaid to show the sloping of the response as the speaker turns away from the microphone.
  • Once you've completed, touch the "Screenshot" icon to save an image of the plot. Touch the return arrow, mark the item complete, and add any comments.

Poor Off Axis Response

  • The near field test is designed to confirm the speaker is operating properly but it doesn't explore the off axis response.
  • A poorly engineered speaker can show a flat on axis response, but a good speakers off axis response should correlate reasonably.
  • It is expected that off axis measurements will show increasingly more high frequency sloping as you increase the angle but the general shape of the curve should be consistent.
  • If the off-axis plot seems to deviate substantially from the general shape of the on axis response this exposes a problem.
  • The problem may be with a poorly engineered speaker but it can also be caused by a defective or damaged driver or crossover.
  • Installation can also be the issue such as in situations where the speaker is partially blocked by some obstruction.
  • The off axis signal can comprise 50% or more of the signal heard by listeners and this can color the sound quality.
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